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Canned Heat - Livin' The Blues, 2CD, FLAC

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Description

Living the Blues

Released 	October 1968

Recorded 	August-October 1968 at I.D. Sound Studios and "live" at The Kaleidoscope, Hollywood, California

Genre 	Blues

Length 	1:28:03

Label 	Liberty

Producer 	Skip Taylor





Living the Blues is a 1968 double album by Canned Heat. It was one of the first double albums to place well on album
charts. It features Canned Heat's signature song, "Going Up the Country," which would later be used in the
Woodstock film. John Mayall appears on piano on "Walking by Myself" and "Bear Wires." Dr. John
appears on "Boogie Music". The 20-minute trippy suite "Parthenogenesis" is dwarfed by the
album-length "Refried Boogie," recorded live.





Track listing



   1. "Pony Blues" (Charley Patton) – 3:48

   2. "My Mistake" (Alan Wilson) – 3:22

   3. "Sandy's Blues" (Bob Hite) – 6:46 Canned Heat, Joe Sample

   4. "Going Up the Country" (Wilson) – 2:50

   5. "Walking by Myself" (Jimmy Rogers) – 2:29

   6. "Boogie Music" (L.T. Tatman III) – 3:19

   7. "One Kind Favor" (Tatman) – 4:43

   8. "Parthenogenesis" (Medley) (Canned Heat) – 19:57



          "Nebulosity"

          "Rollin' and Tumblin"

          "Five Owls"

          "Bear Wires"

          "Snooky Flowers"

          "Sunflower Power"

          "Raga Kafi"

          "Icebag"

          "Childhood's End"



   9. "Refried Boogie" (Canned Heat) – 40:51



Credits



Canned Heat



    * Bob Hite – vocals

    * Alan Wilson – Slide Guitar, vocals, Harmonica

    * Henry Vestine– Lead guitar

    * Larry Taylor – Electric Bass

    * Fito de la Parra – drums



Additional Personnel



    * Dr. John Creaux - Horn Arrangements, Piano (Boogie Music)

    * Miles Grayson - Horn Arrangements (Sandy's Blues)

    * Joe Sample - Piano (Sandy's Blues)



Production



    * Rich Moore - Engineer

    * Ivan Fisher - Assistant Engineer

    * Skip Taylor - Producer

    * Canned Heat - Producer



Canned Heat's third collection,  Living the Blues [Akarma] (1968), was likewise their first double-LP, heralding the
rural hippie anthem "Going Up the Country" as well as the nearly three-quarter-hour "Refried
Boogie." However, rather than distracting their audience, it became one of rock & roll's first two-LP sets to
make a substantial showing on the charts, reaching the Top 20. Not surprising as the rest of the album -- essentially
all of disc one -- is as solid (if not arguably more so) than their previous long player Boogie With Canned Heat (1968).
Featured is the "classic" Heat lineup of Alan "Blind Owl" Wilson (guitar/vocals), Larry "The
Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Adolfo "Fido" de la Parra (drums), and
Bob "The Bear" Hite (vocals), who unleash another batch of strong originals and engaging overhauls of a few
blues staples -- including the solid cover of Charley Patton's "Pony Blues" that commences the effort. Right
out of the gate, the formidable team of Wilson and Vestine explore their musical passions with a focused drive that
would significantly diminish in the years and on the records to follow. One of the primary factors in the package's
commercial success was their update of Henry Thomas' "Going Down South," which they turned into the breezy
"Goin' Up the Country." The song not only became one of their biggest hits, it was also used in the Woodstock
(1970) documentary and a live version -- from the actual concert -- was presented on the soundtrack. Canned Heat are
joined by one of their contemporaries as Brit bluesman John Mayall contributes to the compact reading of Jimmy
Rogers'"Walking By Myself," not on guitar, but rather piano. He also tosses around the '88s during the
"Bear Wires" movement of the side-long "Parthenogenesis" suite. While on the subject of guest
keyboardists, Mac Rebbenack (aka Dr. John) joins in on the groovy ode to "Boogie Music." "One Kind
Favour" (aka "See That My Grave Is Kept Clean") drives hard with Hite belting out behind the ensemble's
propelling rhythms. Aside from the slightly indulgent "Refried Boogie," Living the Blues [Akarma] (1968)
stands as a testament to Canned Heat's prowess as modernizers of the blues and recommended as one of the most cohesive
works from this incarnation.

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Canned Heat - Livin' The Blues, 2CD, FLAC	1 Year+ - in Music	535.72 MB	0	1
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